This guest post cannot possibly say everything about revision and does not need to. Nikki Graham has already grouped together a number of revision-related blogs worth reading here for your convenience.
This means I am free to skip all the usual definitions and give you instead a hotch-potch of impressions and experiences which might give you some food for thought about how you approach revising your own work, how to refine your response to revisions by others of your work, and how you, perhaps, perform revisions on the work of others. I have written from the perspective of a revisor; a revisor whose own translation and revision work has come under harsh scrutiny where some revisions made and conclusions drawn have been justified, and others not. I continue to hope that insights thus gained serve to make me a better translator and a better revisor.
This MA course review is written by Nathalie Verschelden. For more information on MA courses and links to other reviews, see the
Early July I had the immense good fortune to translate a short piece about Grace Jones who gave us one of my all-time favourite songs: ‘Slave to the Rhythm’. Immersing myself in her music again after far too long an absence (I think it’s essential to listen to the music of the artists I translate about to help the creative juices flow in the right direction) was not only uplifting after all the political bad news (Brexit), but also reminded me about her strong personality and how she broke the moulds.
Back in October 2014 on my old blog I wrote about some reasons why an agency might stop working with you. As both the original post and the
This is just a quick post to ask you all if you could please complete the
Is it just a box-ticking exercise to comply with the 

Today’s guest post is by Nicola Thayil and it’s the first review on an MA at a 